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Peter Paul Rubens Prometheus Bound oil painting


Prometheus Bound
Painting ID::  34471
Peter Paul Rubens
Prometheus Bound
mk93 1618 Oil on canvas 95 1/2x82 1/2 Philadelphia Museum of Art

   
   
     

Peter Paul Rubens Self-Portrait with Hat oil painting


Self-Portrait with Hat
Painting ID::  37408
Peter Paul Rubens
Self-Portrait with Hat
mk126 138-39 Oil on canvas 109.5x85cm

   
   
     

Peter Paul Rubens Roman Charity oil painting


Roman Charity
Painting ID::  38414
Peter Paul Rubens
Roman Charity
1625 Oil on canvas, 155 x 186 cm

   
   
     

Peter Paul Rubens Castle Park oil painting


Castle Park
Painting ID::  38739
Peter Paul Rubens
Castle Park
mk141 1632-34 Oil on wood 52.5x97cm

   
   
     

Peter Paul Rubens Prince of Mantua oil painting


Prince of Mantua
Painting ID::  39637
Peter Paul Rubens
Prince of Mantua
mk150 c.1604/5 Canvas 67x51.5cm

   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

     Related Artists::.
     | Ludovic Bassarab | Cristoforo Munari | BRUEGHEL, Jan the Elder |


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